Plug-ins for modifying tracks and mixes are an essential element of a digital studio, and the availability of OS X-based versions has been a concern for musicians. Fortunately, Digidesign and Propellerhead (maker of Reason 2.0 November 2002) have announced they’re working to integrate ReWire 2 support into Pro Tools later this year, which should ease interapplication communication. Both methods are useful, if a little cumbersome you’ll need to specify your send and receive intentions within the preferences of the appropriate apps. software) to link Pro Tools with other MIDI apps. PT LE 6 includes support for virtual MIDI inputs, which let you receive data from some third-party applications, and you can use the excellent MIDI Patchbay freeware (available at. This last feature lets you explore your creativity while maintaining the safety net of a prior take. PT LE 6 supports Apple’s Core MIDI Services and MIDI Time Stamping, which allows for precise note placement and playback doubles the number of MIDI tracks you can use in a session to 256 voices and adds a Flatten And Response command that acts like an Undo function to let you “lock” changes to a performance or revert to the original. More MIDI MuscleĪlthough PT LE 6 doesn’t rival the MIDI-handling strengths of Emagic’s Logic, Steinberg’s Cubase, or MOTU’s Digital Performer, it has boosted its MIDI capabilities steadily with each recent release. The third browser, Task Window, lets you check on background audio-processing duties while you record, mix, or even work in a spreadsheet. In addition to complete file-management tools, you can use the Workspace to audition audio files (rather than first having to import them into a session), then drag the right one into your session at any location in the arrangement’s Timeline this can save you valuable time. Two of the browsers - Workspace and Project - resemble (and function like) the List view in the Finder but add music-related data, including miniwaveform views, the number of channels used in a given file, time-code info, and sample rate and sample bit-depth levels. Digidesign’s Digibase file-management utility catalogs your mounted disks and provides three browserlike interfaces for working with your media files. Up in the Windows menu, however, lurks substantial new functionality. If you use MIDI files with your projects, you’ll need to configure your system with Apple’s Audio MIDI Setup utility.Įxcept for some cosmetic Aquafication, PT LE 6’s main Edit and Mix windows are virtually unchanged from version 5.X. You’ll need to reinstall the software if you want to switch drivers and hardware. The software installation process is straightforward, but you can install a driver for only one piece of Digidesign hardware. PT LE 6 requires OS X 10.2.3 or later, but you can move files among all of Digidesign’s currently shipping hardware, and between Pro Tools versions 6 and 5.2.1 (which runs on OS 9). The program currently supports 16- and 24-bit 44.1kHz and 48kHz files, and a project can have as many as 128 audio tracks, but you’re limited to working with 32 mono audio tracks at once. The company promises support “soon” for the Digi 002 converter and mixing controller, which is capable of handling 96kHz files, but PT LE 6 doesn’t have it at this time. Thus, MIDI Tools can be very useful for small tasks and troubleshooting.Pro Tools LE 6 is intended for use with Digidesign’s low- to midrange hardware, including the Audiomedia III, Mbox, and Digi 001 analog-to-digital and digital-to-analog converters. Many of the hardware audio editors from Mountain Utilities also contain some or all of these tools, but MIDI Tools provides them without the hardware-specific hullabaloo of these editors. A powerful System Exclusive message editor/uploader/downloader.
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